selected publications

Journals (peer-reviewed):

Bernardes, G., Cocharro, D.,  Caetano, M., Guedes, C. & Davies, M. (2016). ” A Multi-Level Tonal Interval Space for Modelling Pitch Relatedness and Musical Dissonance.” Journal of New Music Research. 

Bernardes, G., Cocharro, D., Guedes, C. & Davies, M. (in press). Harmony generation driven by a perceptually motivated tonal interval space.  Musical Metacreation, special issue of ACM Computers in Entertainment.

Bello, J. P., Rowe, R., Guedes, C. & Toussaint G. (2015). “Five Perspectives on Musical Rhythm.”Journal of New Music Research, 44/1, 1-2. Introduction to Cross-disciplinary and Multi-cultural Perspectives on Musical Rhythm, special issue of the Journal for New Music Research 44/1  (Bello, J. P., Rowe, R, Guedes, C. & Toussaint, G. Eds).

Rebelo, A., Fujinaga, I., Paszkiewicz, F., Marçal, A., Guedes, C. & Cardoso, J. (2012).  “Optical Music Recognition – State-of-the-Art and Open Issues.” International Journal of Multimedia Information Retrieval – International Journal of Multimedia Information Retrieval, 1/1, 1-18.

Naveda, L. Gouyon, F., Guedes, C. &  Leman, M. (2011). “Microtiming Patterns and Interactions with Musical Properties in Samba Music.” Journal of New Music Research, 40/3, 225-238.

Guedes, C. & Rebelo, P. (2010). “Reflections on music programming for conferences: The case of SMC 2009.” Computer Music Journal, 34/3, 11-19

Cardoso,J., Capela, A., Rebelo, A., Guedes, C. & Pinto da Costa, J. F. (2009). “Staff Detection with Stable Paths,” in IEEE Transactions on Pattern Analysis and Machine Intelligence, 31/6, 1134 – 1139.

BOOK Chapters:

Guedes, C. (2018). “Composing and improvising. In real time.” in Music Technology with Swing. Lecture Notes in Computer Science (11265), pp. 445-453. New York: Springer.

Sioros, G. & Guedes, C. (2014). “Syncopation as Transformation.” in Music, Sound and Motion. Lecture Notes in Computer Science (8905), pp.635-658. New York: Springer.

Bernardes, G., Guedes, C. & Pennycook, B. (2013). “EarGram: An Application for Interactive Exploration of Concatenative Sound Synthesis in Pure Data.” in From Sounds to Music and Emotions. Lecture Notes in Computer Science (7900), pp.110-129. New York: Springer.

Conference Proceedings (peer- reviewed):

Bernardes, G., Cocharro, D., Guedes, C. & Davies, M.(2105). “Conchord: An Application for Generating Musical Harmony by Navigating in a Perceptually Motivated Tonal Interval Space.” Proceedings of the International Symposium of Computer Music Multidisciplinary Research 2015

Bernardes, G., Davies, M. E. P., Guedes, C., & Pennycook,B. (2014). “Considering roughness to describe and generate vertical musical structure in content-based algorithmic-assisted audio composition.” Proceedings of the Joint International Computer Music and Sound and Music Computing Conference (ICMC 2014-SMC 2014), 318-324.

Dias, R., Guedes, C. & Marques,T. (2014) “A computer-mediated interface for Jazz piano comping.” Proceedings of the Joint International Computer Music and Sound and Music Computing Conference (ICMC 2014-SMC 2014), 558-564.

Sioros, G. & Guedes, C. (2014). “Transforming musical rhythms: meter and syncopation.” Proceedings of the Simpósio de Informática (INFORUM 2014).

Dias, R. & Guedes, C. (2013). “A Contour-based Jazz Walking Bass Generator.” Proceedings of the Sound and Music Computing Conference (SMC 2013). Stockholm, Sweden

Sioros, G., Miron, M., Cocharro, D., Guedes, C. & Gouyon, F. (2013). ”Syncopalooza: Manipulating the Syncopation in Rhythmic Performances.” Proceedings of the Conference on Computer Music Modeling and Retrieval (CMMR 2013), Marseille, France

Sioros, G., Holzapfel, A. & Guedes, C. (2012). “On measuring syncopation to drive an interactive music system.” Proceedings of the Conference of the International Society for Music Information Retrieval (ISMIR 2012). Porto, Portugal

Bernardes, G., Guedes, C.  & Pennycook, B (2012). “EarGram: an Application for Interactive Exploration of Large Databases of Audio Snippets for Creative Purposes.” Proceedings of the Conference on Computer Music Modeling and Retrieval (CMMR 2012), London, England

Dias, R., Marques, T., Sioros, G. & Guedes, C. (2012). “GimmeDaBlues: An intelligent Jazz/Blues player and comping generator for iOS.” Proceedings of the Conference on Computer Music Modeling and Retrieval (CMMR 2012), London, England

Sioros G. & Guedes, C. (2011). “Complexity-driven recombination of MIDI loops.” Proceedings of the Conference of the International Society for Music Information Retrieval (ISMIR 2011). Miami,USA

Sioros, G. & Guedes, C. (2011).“A formal approach for high-level automatic rhythm generation.” Proceedings of the BRIDGES 2011 – Mathematics, Music, Art, Architecture, Culture Conference. Coimbra, Portugal.

Sioros, G. & Guedes, C. (2011).“Automatic Rhythmic Performance in Max/MSP: the kin.rhythmicator”, Proceedings of the 11th International Conference on New Interfaces for  Musical Expression (NIME 2011). Oslo, Norway.

Bernardes, G., Guedes, C. & Pennycook, B. (2010). “Style emulation of drum patterns by means of evolutionary methods and statistical analysis.” Proceedings of the Sound and Music Computing Conference (SMC 2010). Barcelona, Spain

Guedes, C. (2007). “Translating Dance Movement into Musical Rhythm in Real Time: New Possibilities for Computer-Mediated Collaboration in Interactive Dance Performance.” Proceedings of The International Computer Music Conference (ICMC 2007) Copenhagen, Denmark

Guedes, C.  (2007).“Establishing a Musical Channel of Communication between Dancers and Musicians in Computer-Mediated Collaborations in Dance Performance.” Proceedings of the 2007 Conference on New Interfaces for Musical Expression (NIME07), New York, NY, USA pp. 417-418

Guedes, C. and R. Dias. (2007). “The Program in Electronic Music Composition and Musical Production at the School of the Arts of the Polytechnic Institute of Castelo Branco.” Proceedings from the Sound and Music Computing 2007(SMC 2007). pp. 378-381 and Proceedings of  The International Computer Music Conference (ICMC 2007) Copenhagen, Denmark.

Guedes, C. and K. Woolford. (2007). “Controlling Aural and Visual Particle Systems through Human Movement.” Proceedings from the Sound and Music Computing 2007 (SMC 2007), Lefkada, Greece. pp. 200-203 and Proceedings of The International Computer Music Conference (ICMC 2007), Copenhagen, Denmark

Woolford, K. & Guedes, C. (2007). “Particulate Matters: Generating Particle Flows from Human Movement.” Proceedings from the ACM Multimedia Conference 2007, Augsburg, Germany

Guedes, C. (2006). “Extracting Musically-Relevant Rhythmic Information from Dance Movemen by Applying Pitch-Tracking Techniques to a Video Signal.” Sound and Music Computing Conference 2006 Proceedings, pp. 25-33

Guedes, C. (2005). “The m-objects: A Small Library for Musical Rhythm Generation and Musical Tempo Control from Dance Movement in Real Time.” Proceedings from the Internationa Computer Music Conference, (ICMC2005), Barcelona, Spain, pp. 794-797

Guedes, C. (2003). “Controlling Musical Tempo from Dance Movement in Real-Time: A Possible Approach.” Proceedings from the International Computer Music Conference , International Computer Music Association, 2003, pp. 453-457

Dissertation:

Mapping movement to musical rhythm: A study in interactive dance. (2005, NYU)